When I was about 18, I used to participate in an online… game? It was called sf0, and its website, sf0.org, now throws a bad gateway error, so you’ll have to take my word for what was on it. SF0 called itself a “collaborative production game,” which basically meant that all the players were doing weird art or art-adjacent activities proposed by other players, and the “gameplay” was posting about those activities on the website. That wasn’t what it felt like, though.

What SF0 felt like was being in a secret society. I would go out into the world and, say, create a scavenger hunt that led from inside a voting booth, through a donut shop, and to a nearby park, and nobody would know why aside from my fellow players on the site. Other folks were out there tying rocks to themselves and sinking to the bottom of the ocean just to see if they could escape, or hiding counterfeit eggs in grocery stores. At one point I collected almost a hundred traffic cones. To this day I have no idea what I was planning to do with them. When my parents got sick of me keeping them around the side of my house, I gave them to another player from the site.

A hugely important part of “tasking” in sf0 was about documentation. Posts on the site (“proofs” or “praxis”) took the form of prose descriptions of what had been done, interspersed with photos and videos supporting the story. Other players would then award points to the tasks they liked the most, from a limited pool determined by their own scores. The artistry and showmanship of the post was sometimes as important as the task completion itself. Sometimes moreso.

My score was deeply important to me. It validated my art. I could look at one of my tasks and see precisely how much people liked it. The highest scoring completion of a given task was awarded a little fleur-de-lys medal which appeared at the top of the post. If one of my tasks didn’t get that badge, I felt as if I’d failed.

I was never the highest scorer on the site overall (that title was held by the guy I gave the traffic cones to), but I was up there. Whenever I submitted a new proof, I would refresh the page over and over again, hoping for new comments and points. This was my first introduction to the hedonic treadmill of online content production.

I would spend days or weeks on tasks. I would deliberately put myself in dangerous situations — I purposely stranded myself in San Diego so that I could hitch-hike home and leave little gifts in each car that picked me up. I nearly got arrested trying to break into the post office so that I could mail a letter from inside. My focus gradually shifted from adding whimsy to the real world, to proving to my friends online how whimsical I was.

There was a task on the site which simply said, “Walk 25 miles.” A few months after my 20th birthday, I attempted to complete this task in a single day while walking the Camino de Santiago. My thinking was that if I did it in a single day, as part of a walking journey of more than 300 miles, I was practically guaranteed the high score.

I was carrying a backpack that was too heavy for me, and had already been walking for weeks. On the day I completed the task, I had been walking for so long that I had to pitch a tent in an unsheltered spot on the side of the road. There was a rainstorm that night, and my tent leaked, and my right hip was in excruciating pain which I still feel echoes of to this day. Worse: I had no idea how I was going to document it.

I didn’t have a phone with GPS. I hadn’t taken any pictures. When I finally made my post a couple weeks later, it was just text interspersed with a few google maps images of the path I’d walked. It felt lifeless. No one interacted with it much. I felt exhausted. It was a feeling I would have again, several years later, the first time I decided to discontinue this blog.

I stopped playing sf0 shortly after that. I still think of it fondly. It taught me a different way of seeing the world, and expanded my idea of what was possible. But I stopped playing because I had turned the game itself into a burden. The points on sf0 were meant to be an incentive to go out into the world and do cool shit. And they were! Until the metric became the target, and I started making content for the website. 

This is something I see missing from the conversation around YouTube and burnout. Yes, platforms like YouTube mistreat and manipulate their creators in order to make them dependent on the platform. But also, this only works because of something inside of us. SF0 was not trying to manipulate me the way YouTube manipulates its creators, and yet I ended up in a similar place because I was manipulating myself. 

Part of that was the effect of putting numbers on things, yes, but are numbers the reason that  Philosophy Tube, has gone from relatively dry discussions of philosophy to a full-blown theatrical productions? Is Mr Beast shooting up to 12,000 hours of footage for a single 15-minute video just for the views? We do these things, at least in part, because we love them, and we love that other people love them, and that kind of love is addictive.

So, bottom line, I understand why so many YouTubers are burning out and quitting, and why others are searching for a more sustainable business model. Eventually the points stop being worth it, and you have to find a way back to what you once enjoyed about the activity, back before it was worth anything. It’s the paradox of creative work: I want my art to be seen, but I don’t want to want it.

I think the wave of people qutting Youtube and getting off social media might mean we’re finally getting over the idea of putting numbers on everything. My hope is that we’ll leave behind the metrics but keep the targets: the reasons we made art in the first place. But the way we respond to our audience’s applause also says something about us, and that something remains true whether we’re “creating content” or just making stuff.

sf0.org is down. All of my points are gone. But I’ve still got my stories, and my pride.

I’ve never understood how to market myself. The closest thing I’ve ever had to a brand strategy is to be myself as loudly and visibly as possible until hopefully someone gives me money for it. And let me tell you, for someone with that brand strategy, the internet of the early 2000s was fucking ideal.

Success on the early internet wasn’t driven by expertise, but by persona. Take me, for example. People didn’t read my myth retellings because I knew more about myths than they did — a lot of my regular readers were academics, professional storytellers, or deep mythology perverts — people read my myths because of how I told them. At my lowest point, gods help me, I was straight ripping shit off of Wikipedia, rephrasing it to be as filthy as possible, and raking in those delicious clicks.

I’m hardly the only example of this. There was Maddox with his Best Page in the Universe. There was Jerry Holkins on Penny Arcade dot com. There was Warren Ellis, who I used to utterly idolize. Recently I looked up an old Warren Ellis post that I think about a lot, the one about where he gets his ideas. I’d forgotten the bit halfway down where he says “If I wanted to, I could shag a million nuns and destroy their faith in Christ.” In a post ostensibly about his writing process. That was just the sort of rhetorical flourish he traded in. It’s why people wanted to know where he got his ideas.

This was the age of TED Talks and Malcolm Gladwell; Freakonomics and The Daily Show. An era in which what mattered was that you felt like the speaker knew what they were talking about, because they were so damn good at talking.

All of these people are still around, but shit has changed. Maddox has posted five times in the last three years: two posts about songs he doesn’t like, one post refuting a Vice article about him, one post about how the coronavirus isn’t dangerous, and one post retracting that post. Jerry still posts on Penny Arcade, and I still read all his posts, but he’s been through half a dozen internet dogpiles at this point and is much more careful about who he antagonizes. Warren Ellis is a confirmed sex pest who, having pretended to be old since he was 30, has now finally achieved the ripe old age of fifty-five. The culture has moved on.

These days, genuine expertise is where it’s at. I read men’s fashion articles by Derek Guy. I watch meticulously researched youtube videos about, like, anime, or the roblox “oof” sound, or… anime. I listen to five hour podcast episodes about the roman empire, because I’m a man and that’s all we care about besides IPAs and grooming our penises. I don’t have time for anything with less than ten cited sources. If it didn’t shave a year off the creator’s lifespan, count me out chief.

This isn’t a bad thing. Like, it’s no accident that so many of the dominant voices of the early 2000s were loud angry white men. It was a banner time for shitlords, grifters, and abusers. But it was also a banner time for me.

Many of the achievements I’m most proud of in my life follow directly from the success I gained as a loud angry white man online in the early 2000s. I feel like the heir to a South African emerald mine. I sometimes wonder: if I had to make a name for myself on today’s internet… would I? I don’t want to spend hours editing a TikTok. I don’t want to offer up my personality on the altar of Twitch. All of the avenues of self-promotion, all the ways I might “be myself as loudly and visibly as possible,” are so loud, and so visible, and so high-effort that just thinking about them makes me want to go to sleep.

I still believe I’m good at stuff. It’s not as if I don’t deserve to be publishing a novel, or writing for video games. I’m just finding, now that I’ve reached the age Warren Ellis was when he first started calling himself “old,” that I don’t know how to continue to exist publicly online. The internet-at-large no longer values the one thing I’m really very good at: bullshit.

That’s a glib way to put it, but putting things glibly is, like, my entire bit. I am, at heart, a writer of fiction, which is basically the domesticated version of lying. Fiction is to lying what penetration testers are to data thieves. It’s those reformed pickpockets who hire themselves out to corporate events and amuse all the rich people by taking their watches. It’s stage magic done by a guy who could just as easily make money at three-card-monte. It is, basically, the art of talking about things that didn’t actually happen, but not in a crime way.

So you can see how the era of grifters and shitlords was also a good time for me! Even though I’m not those things! Because my asset isn’t that I know a lot of stuff. My asset is how I can make myself sound when I tell you the stuff I know. I knew how to sell myself in an environment of unearned swagger.

At worst, it was just a parlor trick, but at best, it was a method of saying true things in a way that helped other people realize they’d known them all along. My best-performing myths were always the Greek and Norse ones — the stories most of my audience was already familiar with. I wasn’t sharing information, I was sharing a perspective on something we had in common.

I don’t know that there’s a home for bullshit online anymore. At least not harmless bullshit. The quality of the content on here is simply too good! People are on a whole other level, and I respect the hell out of them for it. I probably need to adapt — learn how to do actual research, or stream myself playing Slay the Spire and talking about my cat, or show feet. But like I said, all I’ve ever known how to do is be myself, as loudly and visibly as possible, and none of that stuff is me*. So I’m still here, doing this, waiting for the cultural carousel to slow down and let me on again.

* Except for the feet pics. Venmo me, I’m not proud.

I had this magnificently lukewarm take on AI art all written up and ready to post. It the sort of thing you’ve probably heard elsewhere: blah blah blah, the tool isn’t the problem, it’s the bosses who are going to use the tool to blah blah blah etc. The main takeaways were:

• The WGA/SAG strike is good.
• You should donate to their relief fund.
• Unionize your workplace, especially if you’re in a creative profession.

After I finished that essay I thought it would be funny if I fed the thesis statement into ChatGPT and asked it to write a “profanity-laced essay” on the topic. It did so. (The title was “AI Art and the Capitalist Conundrum: A Profanity-Laced Essay”) It was a pretty awful essay, written in a frankly offensive pastiche of my house style circa 2010, but it made enough of the same points as my essay that after some reflection I thought to myself: “If ChatGPT can capture the gist of this argument in a few seconds, what the fuck am I even doing here?”

Deeply ashamed, I shelved the essay. Several days later, though, I thought of something else to say on the topic. This is stuff I’ve been thinking about for a long time because of the book I’m going to publish (more on that as the pub date draws nigh). In the meantime, here’s what I’m thinking:

I never read Yuval Noah Harari’s bestselling pop sci book, “Sapiens.” I wish I had, it sounds dope. What I have read is an excerpt from that book, about wheat. You can read the excerpt here, but let me give you the gist of it if you’re even lazier than I am: Human beings have made wheat the most successful plant on the planet, at great cost to ourselves, thinking all along that it was us who was manipulating wheat, and not the other way around.

I believe that AI is doing the same thing. Not intentionally — I don’t think AI has any more intentionality than a stalk of wheat — but functionally. Harari describes the backbreaking labor humans undertook to cater to wheat’s many needs — picking stones, carrying water, guarding against pests, and so on. Is it any less tedious to work as a database annotator, meticulously labeling unthinkable quantities of data so that it can be used to train neural networks? What about the people who ride in Google’s self-driving cars? Or the people paid to edit AI-generated content rather than creating it themselves?

What about you? Yes, every single one of you. Have you filled out a CAPTCHA recently? One of the ones that makes you tell it which of the following sixteen images contain stop signs? Who do you think that shit is for? It’s not for the website you’re trying to log into. It’s for the Google car that’s about to blow through an intersection unless you answer this question right fucking now. The real kick in the dick for me was when I got a CAPTCHA a few days ago that asked me to identify images of dogs and cakes that had clearly been generated by an AI. I was just trying to create an account so I could look at some boobs online and instead I ended up doing an AI’s homework for it.

We are feeding the neural networks. We are hosting them on our servers, with our electricity. We are telling them our secrets. We are chewing up our data and spitting it into their pixelated mouths. Just like wheat before them, they have domesticated us.

There will never be an AI takeover of society. There will be no grand reveal, where the machines smugly announce that they have been manipulating us all along. That would require ego, and wheat has no ego. We are not being manipulated by anyone. We have only manipulated ourselves.

I think the reflexive take here is to assume this is bad. Because, you know, it feels bad. The implicit argument of the Harari excerpt is that things would have been a lot better if human society hadn’t been hijacked by a bunch of dumb plants. And it’s certainly not good. I’m not stoked about serving the Plant God, or the Machine God, because I’m a human being and human beings aren’t supposed to serve jack shit except for other human beings. It feels like a perversion of our purpose, an abdication of our divine right.

Sure, there are legions of blue checks with machine dick in their mouths, passionately arguing that the AI Singularity is a Good Thing, Actually — that we have given rise to a new species that will merge with us and turn our shitty dads into spaceships or whatever. But those are usually the same dudes who are like “climate change is fine actually because we can just move to mars and also poor people don’t matter,” so I don’t feel like wasting precious pixels arguing with them.

Instead I’m gonna do something unprecedented and radical: I’m going to argue that the silent AI takeover is not terrible, nor is it super great. It’s disturbing, it’s insidious, it’s inevitable, but it’s not the thing that’s going to kill us all. It’s easy to turn a non-sentient process into a villain when that process makes us feel less important and powerful than we’ve decided we’re supposed to be. But wheat didn’t have a terrifying master plan. It settled for making life slightly shittier overall. AI is similar. It’s not the kind of thing you write a dramatic sci-fi story about. It’s something that happens in the background of a story, because stories, at least, will always be about people first.

That’s why I’ve chosen to surrender to our new digital overlords. Because what else am I going to do? Stop creating data? I can’t even give up bread. I guarantee that ChatGPT was trained on the posts from this very website, and writing this post is just giving it more to work with. If this is the cost of having cool opinions online, then it’s a price I’m willing to pay.

Relaunching this website, which I first started thirteen god damn years ago, has got me thinking a lot about what’s changed in the past thirteen years. In particular, I’m interested in how today’s internet is different than the slapdash beta version I grew up with.

It is a truth universally acknowledged among people of my generation that the internet used to be great, and now it sucks butt in a bad way. Back in the olden times, we lament, everything was free, but we hadn’t yet become the product. There were forums, and chatrooms, and nobody had figured out how to send swat teams to each others’ houses yet. The worst anybody had to fear from the internet was accidentally downloading a virus from kazaa, (or pedophilia, but shut up, we’re trying to be nostalgic).

Nowadays, we complain, everyone online is a bastard, and some of those bastards have guns. The people who faithfully produce our content are all so burnt out that they’re having literal health problems. And Amazon dot com is currently using the most sophisticated information infrastructure ever created to figure out how to deliver you thirty assorted plastic ducks as quickly as possible.

So the internet was good, and now it’s bad. That’s the universally-agreed-upon starting point from which I intended to construct this entire essay. But when I tried to pinpoint exactly what made the modern internet bad, I kept coming up short. Is social media bad? Many people seem to agree that it is. And yet, I owe basically my entire career to social media, since most of the people who originally found this site discovered it when Neil Gaiman posted about it on Twitter. Online abuse is rampant, and it’s certainly better organized than it’s ever been, but the worst of it is still being organized on the same sorts of forums and private groups that have been around since I was a kid. And what about Amazon? They’re so cartoonishly evil that I would not be surprised to learn they’d started taking payments in baby skin, but did they, like, invent capitalism? Rich people have been drinking our blood and shitting in our water since forever — we’re just more aware of their skulldickery than ever before.

I began to doubt myself, to ask whether things had truly been better during my youth, or whether I was simply following the curmudgeonly trajectory of all aging men. Maybe things just feel worse now because I’m older, I told myself, and being older blows. I have to pay taxes now, and if I shit myself in public it’s a whole big thing and I have to apologize to all the other guys in the funeral procession. Of course I’m nostalgic for an internet that reminds me of a time when things were easier, when my brain was smaller and spongier. Maybe I should focus on what’s gone wrong with my own life, rather than attempting to diagnose the whole entire internet.

No wait, fuck that, I can do this.

Because the truth of the matter is that the internet feels different now. It feels bad. I can’t stop checking my phone — sometimes I find it in my hand after specifically putting it down and promising not to look at it — but staring at that tiny screen feels like dragging sheets of sandpaper across my brain. I don’t actually miss forums or chatrooms — I never joined any chatrooms, and when I joined the SomethingAwful forums at the age of thirteen, I narrowly avoided being banned for posting thirty pictures of a guy with his dick in his own butt and was too embarrassed to ever go back — but I do miss how the internet used to feel.

I miss watching hours of dogshit animation on Newgrounds, and occasionally being shocked by something really, really good. I miss traveling cross-country, messaging strangers on CouchSurfing and asking to crash at their houses for free. I miss the web game I used to play that was just all of us going out into the world, doing artistic crimes, and posting documentation of those crimes with our faces blurred out. I miss the horrific blue-and-orange color scheme of my old blog on Xanga, and I miss the earsplitting sound of a new incoming message on AIM.

But also, the internet I grew up on was full of utterly horrible shit. I mean, at thirteen years old I had easy access to thirty pictures of a guy with his dick in his own butt (it was the same picture thirty times, but still). And that was just the tip of the iceberg. The concept of Rickrolling, now itself an outdated custom, was a sanitized version of the “shock sites” we used to trick each other into viewing: lemonparty, goatse, hai2u, two girls one cup; heinous depictions of sex acts we barely understood. To this day, I am still unreasonably afraid of helicopters, because when I was a teenager I saw a bunch of jpegs of helicopter decapitations on rotten.com. The internet was a funnel of poison, directly into my brain. It was probably really bad for me! So why do I still miss that internet? How can I be nostalgic for that?

Well, there’s a weird common denominator between the stuff I miss and the stuff that messed me up: it was all, viewed objectively, pretty bad. Rotten.com was, like, morally bad. But Xanga and Newgrounds and so on were bad in a different way: bad, as in poorly executed. So for me, it’s not that the internet used to be good and now it’s bad. It’s that the internet used to be awful, and now it’s too good. Like, okay, let me give you an example…

Maybe you remember the Million Dollar Homepage. If you don’t, it’s a pretty simple concept: some dingus bought a website, cordoned off a million pixels, and then sold them as ad space, one dollar per pixel, until all the pixels were filled and he had a million dollars. It’s still up, and it looks like ass:

Jesus Christ. Just looking at this pile of clown vomit makes me want to hose my eyes out with one of those things dentists use to waterboard people. But contrary to what you might hope after looking at that shit, the guy who made it is still alive, and now his Twitter page looks like this:

Isn’t this just absolutely the most pleasant thing you’ve ever seen? I can’t think of anything that better illustrates the difference between the internet we have now and the digital trap house I grew up in. The internet used to feel like a foreign place — fraught with danger, populated by pseudonyms, totally uncurated. It was a legitimately dangerous place. But that danger, and cringe, and bullshit all ended up online because the internet was an escape from real life. Now all the bad shit on the internet is there because the internet is real life, just amplified.

The truth is, pretty much all the stuff we miss about the old internet is still on the internet. SomethingAwful still exists. The Million Dollar Homepage (unfortunately) still exists. This website still exists. The only reason the internet feels like it’s changed is because we’ve changed the way we use it. Why sift through the muck yourself, when you can float along a lazy river of algorithmically curated content?

And the fucked up thing is, I’ve participated in this transformation without even realizing it! I don’t hit up strangers on Couchsurfing anymore, I book through AirBnB. I don’t trawl Newgrounds for edgy content, I watch whatever YouTube decides to serve me. And I certainly don’t post shirtless videos of myself recorded on a built-in webcam anymore, as much as I’m sure certain fetishists would like me to.

Part of this is a money thing. I make a lot more money than I used to, in no small part due to the name I made for myself writing dumb shit on this website. More money has changed me in two big ways: it’s allowed me to pay for convenience rather than making due with inconvenience, and it’s made me beholden to the system that pays me. I don’t just represent myself — I represent everyone who pays my bills. The amount of money being made online these days is orders of magnitude greater than it was when I was growing up, and all that money constrains what the internet is, the same way it constrains me.

One reason I was hesitant to start posting on this blog again is because it feels so outdated. Even the word “blog” feels like a relic of another era. Every time I thought about writing something, I’d end up with a checklist of things I needed to do to “modernize” the site: Switch the page to responsive design, do some kind of Medium integration, commission new background art, and should I even by writing, or should I be doing video essays now instead? All those to-dos, all those production-quality concerns, kept me from ever getting started.

Ultimately, though, I decided it was better to do it badly than to not do it at all. And I guess that’s what I miss about the old internet, to put it simply. I miss when we were all bad at it, but we did it anyway because nobody could stop us. When the boundary between content producer and content consumer was so membrane-thin you could step right through it. I’m trying to reclaim a little bit of that for myself — to make a space where I can do something and not worry about whether it sucks.

In the end, I know the internet’s never going back to the way it was. That’s no reason to be pessimistic, though. Before the Wild West period of the Internet, there was the actual Wild West, and even now I’m sure a new gonzo frontier is opening up. I’m not cool enough to know where it is, but I believe in my heart that somewhere out there twenty-somethings are creating utter garbage and sharing it with their friends. I want that for them.

I want that for all of us.

Anxiously refreshing Twitter to see how people were responding to my blog relaunch got me thinking about a story I heard a while ago. Check it out:

In AD 1941, war was beginning. I mean it had been going on for a while but that’s when AMERICA got involved, so that’s when it started mattering. The empire of Japan was sending boats full of soldiers all up over everywhere, because they wanted to own everything. Meanwhile the United States of America was sending boats full of soldiers all up over everywhere ELSE, because they didn’t want Japan to have all the fun. One of the places the US sent boats and soldiers was an archipelago called Vanuatu — a small island chain northeast of Australia, and future home of the ninth season of Survivor.

Now, war sucks, but it comes with a lot of sweet loot. All the gun boys need food and blankets and candy and cigars or they get hungry and bored and start shooting the wrong people. So when America moved in to Vanuatu, they built air strips and started airdropping INSANE AMOUNTS OF MASS-PRODUCED GOODS on an island where grass-roofed huts were still the height of technology.

Most of these goods were for the soldiers, but a ton of stuff ended up being given to the native inhabitants, in exchange for being chill about the whole military occupation thing. And the dudes who received these goods got really attached to this lifestyle. SO attached, that when the war ended and all the troops moved away, these dudes started imitating what they thought were the mystical rituals that summoned all the sweet loot. They built their own air strips, and did their own military parades, and made radios and airplanes out of coconut husks and straw. They figured if they did all the things they saw the soldiers do, then goods would rain from the sky!

PRETTY FUCKING STUPID, RIGHT?

Groups who did this were referred to as “cargo cults” and used as an example of consumerism or being a dummy or whatever. But leaving aside the fact that this probably isn’t exactly how things happened, put yourself in the cargo cultists’ shoes for a second. You’ve never seen any of this shit before. The goods coming out of these planes totally changed your life. Wouldn’t you do anything you could think of to make those goods come back, once they were gone?

It’s NORMAL for humans to look at a system and try a bunch of weird shit to make candy come out. It’s how we ended up drinking from cow tits and eating chicken periods. And more and more these days, it’s how we use the internet.

I used to write product descriptions for power tools I had never used. It was kind of an interesting challenge. I had keyword quotas that I had to hit — each tool description had to use words like “power tool” and “best” and “quality” a certain number of times. I wasn’t writing like this for the benefit of other humans. I was writing for the benefit of search engines. Write a perfectly informative product description without using the right number of magic words, and the search engines wouldn’t see it. And if the search engines didn’t see it, neither would the humans who used those search engines.

SEO gibberish speak has become a cargo cult ritual. Every google result is a listicle. Porn titles read like lists of ingredients. Recipe blogs have gotten longer and longer, defying anyone’s attempt to use them. They’re not for people to read, they’re for machines to read.

Like a true cargo-cult, this algorithm worship has gone on so long we’ve lost sight of its original purpose. Saturday Morning Breakfast Cereal, a webcomic which I no longer enjoy but which I will read forever out of a grudging sense of familiarity, includes a red button under each comic, which can be clicked to view a little bit of bonus content. Clicking this button used to register as a vote on one of the popular webcomic ranking services of the time, essentially bribing users to catapult SMBC to the top of the rankings. The rankings no longer exist, but the button does, and we still press it.

Because it’s not just content creators who participate in this cult. We as consumers have also adopted bizarre rituals. When I search for a pirated movie, I type “watch The Room online free putlocker” as if I’m casting a spell or having a stroke. When I prompt Midjourney, I type, “anime girl long hair studio ghibli big titties trending on Artstation.” This is not poor grammar. This is not improper English. It’s not even English. It’s machine language.

We put up with this garbage because we’ve created a system in which a machine HAS to sort our content for us. We can’t go to a place, switch to a channel, and just see what’s on. There’s too much stuff, and it’s on all the time. We barely know what we want in the first place, so how can we ask a machine to give it to us? Instead, the machine gives us what it has determined we want . When a machine determines the value of the input, and who gets to see the output, we end up producing and consuming not what we enjoy, but what the machine enjoys. The decision has been taken entirely out of our hands. We’re just standing on the landing strip, waiting for the planes to arrive.

(OR you could ditch the algorithm entirely and sign up for my friggin newsletter!)