The Modern Internet, or: This Toilet We Are All Drowning in Together

Relaunching this website, which I first started thirteen god damn years ago, has got me thinking a lot about what’s changed in the past thirteen years. In particular, I’m interested in how today’s internet is different than the slapdash beta version I grew up with.

It is a truth universally acknowledged among people of my generation that the internet used to be great, and now it sucks butt in a bad way. Back in the olden times, we lament, everything was free, but we hadn’t yet become the product. There were forums, and chatrooms, and nobody had figured out how to send swat teams to each others’ houses yet. The worst anybody had to fear from the internet was accidentally downloading a virus from kazaa, (or pedophilia, but shut up, we’re trying to be nostalgic).

Nowadays, we complain, everyone online is a bastard, and some of those bastards have guns. The people who faithfully produce our content are all so burnt out that they’re having literal health problems. And Amazon dot com is currently using the most sophisticated information infrastructure ever created to figure out how to deliver you thirty assorted plastic ducks as quickly as possible.

So the internet was good, and now it’s bad. That’s the universally-agreed-upon starting point from which I intended to construct this entire essay. But when I tried to pinpoint exactly what made the modern internet bad, I kept coming up short. Is social media bad? Many people seem to agree that it is. And yet, I owe basically my entire career to social media, since most of the people who originally found this site discovered it when Neil Gaiman posted about it on Twitter. Online abuse is rampant, and it’s certainly better organized than it’s ever been, but the worst of it is still being organized on the same sorts of forums and private groups that have been around since I was a kid. And what about Amazon? They’re so cartoonishly evil that I would not be surprised to learn they’d started taking payments in baby skin, but did they, like, invent capitalism? Rich people have been drinking our blood and shitting in our water since forever — we’re just more aware of their skulldickery than ever before.

I began to doubt myself, to ask whether things had truly been better during my youth, or whether I was simply following the curmudgeonly trajectory of all aging men. Maybe things just feel worse now because I’m older, I told myself, and being older blows. I have to pay taxes now, and if I shit myself in public it’s a whole big thing and I have to apologize to all the other guys in the funeral procession. Of course I’m nostalgic for an internet that reminds me of a time when things were easier, when my brain was smaller and spongier. Maybe I should focus on what’s gone wrong with my own life, rather than attempting to diagnose the whole entire internet.

No wait, fuck that, I can do this.

Because the truth of the matter is that the internet feels different now. It feels bad. I can’t stop checking my phone — sometimes I find it in my hand after specifically putting it down and promising not to look at it — but staring at that tiny screen feels like dragging sheets of sandpaper across my brain. I don’t actually miss forums or chatrooms — I never joined any chatrooms, and when I joined the SomethingAwful forums at the age of thirteen, I narrowly avoided being banned for posting thirty pictures of a guy with his dick in his own butt and was too embarrassed to ever go back — but I do miss how the internet used to feel.

I miss watching hours of dogshit animation on Newgrounds, and occasionally being shocked by something really, really good. I miss traveling cross-country, messaging strangers on CouchSurfing and asking to crash at their houses for free. I miss the web game I used to play that was just all of us going out into the world, doing artistic crimes, and posting documentation of those crimes with our faces blurred out. I miss the horrific blue-and-orange color scheme of my old blog on Xanga, and I miss the earsplitting sound of a new incoming message on AIM.

But also, the internet I grew up on was full of utterly horrible shit. I mean, at thirteen years old I had easy access to thirty pictures of a guy with his dick in his own butt (it was the same picture thirty times, but still). And that was just the tip of the iceberg. The concept of Rickrolling, now itself an outdated custom, was a sanitized version of the “shock sites” we used to trick each other into viewing: lemonparty, goatse, hai2u, two girls one cup; heinous depictions of sex acts we barely understood. To this day, I am still unreasonably afraid of helicopters, because when I was a teenager I saw a bunch of jpegs of helicopter decapitations on rotten.com. The internet was a funnel of poison, directly into my brain. It was probably really bad for me! So why do I still miss that internet? How can I be nostalgic for that?

Well, there’s a weird common denominator between the stuff I miss and the stuff that messed me up: it was all, viewed objectively, pretty bad. Rotten.com was, like, morally bad. But Xanga and Newgrounds and so on were bad in a different way: bad, as in poorly executed. So for me, it’s not that the internet used to be good and now it’s bad. It’s that the internet used to be awful, and now it’s too good. Like, okay, let me give you an example…

Maybe you remember the Million Dollar Homepage. If you don’t, it’s a pretty simple concept: some dingus bought a website, cordoned off a million pixels, and then sold them as ad space, one dollar per pixel, until all the pixels were filled and he had a million dollars. It’s still up, and it looks like ass:

Screenshot of the Million Dollar Homepage, looking like someone just beat the shit out of a pinata full of casinos.

Jesus Christ. Just looking at this pile of clown vomit makes me want to hose my eyes out with one of those things dentists use to waterboard people. But contrary to what you might hope after looking at that shit, the guy who made it is still alive, and now his Twitter page looks like this:

Twitter profile of Alex Tew, the creator of the Million Dollar Homepage, looking like a bottle of pure mountain springwater.

Isn’t this just absolutely the most pleasant thing you’ve ever seen? I can’t think of anything that better illustrates the difference between the internet we have now and the digital trap house I grew up in. The internet used to feel like a foreign place — fraught with danger, populated by pseudonyms, totally uncurated. It was a legitimately dangerous place. But that danger, and cringe, and bullshit all ended up online because the internet was an escape from real life. Now all the bad shit on the internet is there because the internet is real life, just amplified.

The truth is, pretty much all the stuff we miss about the old internet is still on the internet. SomethingAwful still exists. The Million Dollar Homepage (unfortunately) still exists. This website still exists. The only reason the internet feels like it’s changed is because we’ve changed the way we use it. Why sift through the muck yourself, when you can float along a lazy river of algorithmically curated content?

And the fucked up thing is, I’ve participated in this transformation without even realizing it! I don’t hit up strangers on Couchsurfing anymore, I book through AirBnB. I don’t trawl Newgrounds for edgy content, I watch whatever YouTube decides to serve me. And I certainly don’t post shirtless videos of myself recorded on a built-in webcam anymore, as much as I’m sure certain fetishists would like me to.

Part of this is a money thing. I make a lot more money than I used to, in no small part due to the name I made for myself writing dumb shit on this website. More money has changed me in two big ways: it’s allowed me to pay for convenience rather than making due with inconvenience, and it’s made me beholden to the system that pays me. I don’t just represent myself — I represent everyone who pays my bills. The amount of money being made online these days is orders of magnitude greater than it was when I was growing up, and all that money constrains what the internet is, the same way it constrains me.

One reason I was hesitant to start posting on this blog again is because it feels so outdated. Even the word “blog” feels like a relic of another era. Every time I thought about writing something, I’d end up with a checklist of things I needed to do to “modernize” the site: Switch the page to responsive design, do some kind of Medium integration, commission new background art, and should I even by writing, or should I be doing video essays now instead? All those to-dos, all those production-quality concerns, kept me from ever getting started.

Ultimately, though, I decided it was better to do it badly than to not do it at all. And I guess that’s what I miss about the old internet, to put it simply. I miss when we were all bad at it, but we did it anyway because nobody could stop us. When the boundary between content producer and content consumer was so membrane-thin you could step right through it. I’m trying to reclaim a little bit of that for myself — to make a space where I can do something and not worry about whether it sucks.

In the end, I know the internet’s never going back to the way it was. That’s no reason to be pessimistic, though. Before the Wild West period of the Internet, there was the actual Wild West, and even now I’m sure a new gonzo frontier is opening up. I’m not cool enough to know where it is, but I believe in my heart that somewhere out there twenty-somethings are creating utter garbage and sharing it with their friends. I want that for them.

I want that for all of us.

SEO Cargo Cult Online New Tips For Optimizing Your Search Engine Performance Top Ten Business Tips and Advice

Anxiously refreshing Twitter to see how people were responding to my blog relaunch got me thinking about a story I heard a while ago. Check it out:

In AD 1941, war was beginning. I mean it had been going on for a while but that’s when AMERICA got involved, so that’s when it started mattering. The empire of Japan was sending boats full of soldiers all up over everywhere, because they wanted to own everything. Meanwhile the United States of America was sending boats full of soldiers all up over everywhere ELSE, because they didn’t want Japan to have all the fun. One of the places the US sent boats and soldiers was an archipelago called Vanuatu — a small island chain northeast of Australia, and future home of the ninth season of Survivor.

Now, war sucks, but it comes with a lot of sweet loot. All the gun boys need food and blankets and candy and cigars or they get hungry and bored and start shooting the wrong people. So when America moved in to Vanuatu, they built air strips and started airdropping INSANE AMOUNTS OF MASS-PRODUCED GOODS on an island where grass-roofed huts were still the height of technology.

Most of these goods were for the soldiers, but a ton of stuff ended up being given to the native inhabitants, in exchange for being chill about the whole military occupation thing. And the dudes who received these goods got really attached to this lifestyle. SO attached, that when the war ended and all the troops moved away, these dudes started imitating what they thought were the mystical rituals that summoned all the sweet loot. They built their own air strips, and did their own military parades, and made radios and airplanes out of coconut husks and straw. They figured if they did all the things they saw the soldiers do, then goods would rain from the sky!

PRETTY FUCKING STUPID, RIGHT?

Groups who did this were referred to as “cargo cults” and used as an example of consumerism or being a dummy or whatever. But leaving aside the fact that this probably isn’t exactly how things happened, put yourself in the cargo cultists’ shoes for a second. You’ve never seen any of this shit before. The goods coming out of these planes totally changed your life. Wouldn’t you do anything you could think of to make those goods come back, once they were gone?

It’s NORMAL for humans to look at a system and try a bunch of weird shit to make candy come out. It’s how we ended up drinking from cow tits and eating chicken periods. And more and more these days, it’s how we use the internet.

I used to write product descriptions for power tools I had never used. It was kind of an interesting challenge. I had keyword quotas that I had to hit — each tool description had to use words like “power tool” and “best” and “quality” a certain number of times. I wasn’t writing like this for the benefit of other humans. I was writing for the benefit of search engines. Write a perfectly informative product description without using the right number of magic words, and the search engines wouldn’t see it. And if the search engines didn’t see it, neither would the humans who used those search engines.

SEO gibberish speak has become a cargo cult ritual. Every google result is a listicle. Porn titles read like lists of ingredients. Recipe blogs have gotten longer and longer, defying anyone’s attempt to use them. They’re not for people to read, they’re for machines to read.

Like a true cargo-cult, this algorithm worship has gone on so long we’ve lost sight of its original purpose. Saturday Morning Breakfast Cereal, a webcomic which I no longer enjoy but which I will read forever out of a grudging sense of familiarity, includes a red button under each comic, which can be clicked to view a little bit of bonus content. Clicking this button used to register as a vote on one of the popular webcomic ranking services of the time, essentially bribing users to catapult SMBC to the top of the rankings. The rankings no longer exist, but the button does, and we still press it.

Because it’s not just content creators who participate in this cult. We as consumers have also adopted bizarre rituals. When I search for a pirated movie, I type “watch The Room online free putlocker” as if I’m casting a spell or having a stroke. When I prompt Midjourney, I type, “anime girl long hair studio ghibli big titties trending on Artstation.” This is not poor grammar. This is not improper English. It’s not even English. It’s machine language.

We put up with this garbage because we’ve created a system in which a machine HAS to sort our content for us. We can’t go to a place, switch to a channel, and just see what’s on. There’s too much stuff, and it’s on all the time. We barely know what we want in the first place, so how can we ask a machine to give it to us? Instead, the machine gives us what it has determined we want . When a machine determines the value of the input, and who gets to see the output, we end up producing and consuming not what we enjoy, but what the machine enjoys. The decision has been taken entirely out of our hands. We’re just standing on the landing strip, waiting for the planes to arrive.

(OR you could ditch the algorithm entirely and sign up for my friggin newsletter!)

Well, I’m Back

Sup guys

It’s been, what, seven years since I last posted on this website? It’s insane to me that I’ve been alive long enough that seven years feels like a semi-negligible amount of time. When I’m bored on the internet, my fingers still find themselves wanting to type in this url, just to check the comments, see how the latest post is doing. Seven years, and the habit hasn’t left me.

And now I’m back. Why? Well, a lot of reasons. For one thing, I’ve got a couple new projects coming out that I want to tell you about — audiobook versions of Zeus Grants Stupid Wishes and George Washington is Cash Money available on May 23rd, plus a friggin NOVEL available some time in the distant future. But one big reason is that I want the excuse to write again.

Updating the site became a chore towards the end of my run, (mostly because I was trying to crank out myths once or twice a week, and that was an insane thing to be doing) but it also gave me accountability. I couldn’t just dick around with my writing forever, trying to make it perfect. There were hungry eyeballs on the internet, and they demanded to be fed. Hungry eyeballs feels like a mixed metaphor, I probably could have done better, but there’s NO TIME, I’ve got to POST THIS SHIT.

It was also nice to have something to do that wasn’t a big continuous project. Since leaving the site behind I’ve mostly worked on video games (Monster Prom and Holovista being two of the biggest ones) and book-length fiction, stuff that requires years of continuous attention, editing, iterating. I like doing those things, but I miss just writing some shit and posting it, without worrying about what the next chapter is going to look like.

Starting the site back up is also scary, though. Accountability is cool and everything, but it also sucks ass and I hate it. What if I post this, make a big deal out of being back, and then it turns out I don’t want to be back? What if two months from now I run out of ideas, get tired, want to quit? Wouldn’t that be worse than not having tried at all?

Truth is, I’ve thought about doing this for at least a couple of years at this point. And every time I get close, it’s that thought that stops me. What if I don’t have anything to say? What if I do have something to say, but it’s too hard and I’m not up to it? As somebody who struggles with depression, the weight of those questions was enough to keep me down.

UNTIL NOW

I mean, fuck it. How many people even still read this website? Worst case scenario, I disappoint like twelve of you. So here we go.

THIS IS HOW IT’S GOING TO BE ON HERE FOR THE FORESEEABLE FUTURE:

I’m gonna post about once or twice a month. The posts are going to be little essays about storytelling, the internet, and the work of being a writer. You are going to read these posts, and tell me how great I am. And because I know nobody reads websites anymore, I set up a little newsletter that will notify you whenever a new post goes up. You can sign up for that right here:

So hello again, old friends. This should be fun.

The End

So, plot twist: As of today, I will no longer be regularly updating Myths Retold. I’ll still post periodically, but the posts will probably look more like this than like this. I’ve re-geared my Patreon to support my other creative writing projects (including Face a Week, which I’m very excited about) so check that out if you want stories, novel chapters, and swears on tap. I put all this info at the top of the post so that if it really pisses you off, you can skip straight to fucking off without having to read the rest. If you want to know why I’m ending this project, though, let me do the thing I know how to do: let me tell you a story…  Continue reading

Captain America Isn’t Bi or a Nazi, He’s Just God

I don’t think I need to convince you that comic book heroes are our modern gods. Superman has a definite Jesus thing going on. Characters like Storm and The Black Panther form the centers of in-canon religions. Thor is literally a norse god. If I had a nickel for every time a comic book writer tried to ram the “these men and women are our modern gods but oh how fallible they are” trope down our throats, I would have enough money to purchase one, maybe two additional comic books. But there is one sticking point in the comparison between these modern gods and those ancient ones: if comic book heroes really are gods, why aren’t we worshipping them? Well, we are, and in much the same ways that the Greeks did. Check it out:

Every year, the Ancient Greeks got super hyped for a festival called the Dyonisia. How it worked was a select few playwrights would be chosen to write plays for everyone to watch. These plays couldn’t be about just anything – they had to be based on established mythological stories about existing mythological characters. Stuff like the Oerestes, or Oedipus Rex, or Philoctetes – good wholesome stories about royalty fucking each other to death. The Dyonisia was a religious festival after all, even if the god it was dedicated to was probably too fucked up to care.

These plays were a big deal. Getting selected to write, act, or direct for the Dyonisia was the height of most artists’ careers. Mega-rich patrons contributed ludicrous sums to pay for the costumes, props and effects that wowed the drunk-as-shit audiences every year.

Do I need to spell the parallel out for you? Okay, fine. Comic book movies are the modern Dyonisia. Mega-rich studios draft legendary artists like Joss Whedon and Robert Downey Jr. to produce wildly entertaining theatrical clusterfucks based on established superheroes and existing superhero stories.

It’s no accident that some heroes are getting more movie love than others. For Marvel, it’s Captain America and Iron Man. For DC, it’s Batman and Superman. This was true long before comic book movies were even a thing. For reasons that are probably too complicated to understand, something about these heroes has resonated with audiences almost since their creation, causing them to be passed lovingly from artist to artist as their stories are told and retold. Movies, though, seriously amplify this focus, bringing the characters and their canons to viewers who would never have followed them in their original format. Basically, the characters who get the most movies made about them are the ones that will survive in the popular imagination.

I’d argue that we see the exact same process going on in ancient religions. What we view as the definitive versions of Greek, Egyptian, and Norse mythology (just to name three that have been widely translated into English) are really the result of an ages-long culture war between minor local gods. Greece, especially, was a loose collection of city-states, all with their own favorite gods and customs, who all kind of fucking hated each other, and what ended up becoming “Greek Mythology” was decided through a combination of war, politics, and pop culture. Diana, for example, is said to have been the central divinity in an early Greek goddess cult, but her inclusion in “Greek mythology” lead to her being sidelined and subordinated in a male-dominated pantheon.

An even clearer example of how this works: Grimm’s fairytales are not the only fairytales German parents used to scare the shit out of their children. As recent discoveries have shown, there are literally thousands of fairytales in the same tradition. Most of those were garbage, though, and Grimm’s curated collection has thus become the most widely circulated source for an entire area of folklore. And come to think of it, which Grimm’s tales do we actually remember? Oh, just the ones that were made into movies by Disney. Disney, which now owns Marvel Studios. I better hurry up and finish this post, because it’s kind of dangerous to type when you are so on fire.

So you’re probably thinking “Okay, your amazing words have convinced me beyond a shadow of a doubt that comic book movies are the new mythology, and also you are handsome and I want to smooch you. But so what? What makes this different from any other hot take on a comic book movie?” Well first of all, thank you for telling me I’m handsome. That’s just the kind of self-esteem boost I needed. But secondly, this isn’t an article about comic book movies. I’m not saying they’re good or bad, or that you should see them or not (personally I think they are all uniformly garbage, but I’m also a huge asshole). I’m saying that the characters in these movies are more than characters now. To many of us, these heroes are living people with the capacity to arouse deep feelings in us. And that’s not far from worship. Not far at all.

This is why people get so mad when writers try to drastically change the characters, or when something is perceived as “non-canon.” This is what motivated a bunch of angry straight dudes to try to shout down #GiveCaptainAmericaABoyfriend. Weirdly, I think it’s also what led to people getting so angry when Captain America was revealed to be a deep cover Hydra operative a few days later. These characters no longer truly belong to the writers who are writing their stories. They exist independent of their individual fictions. In our minds, many of their traits are already set in stone.

It’s more than that, though. We care about the continuity of these characters because in some ways we identify with them, aspire to be them. Insecure straight guys don’t want to identify with a bisexual Captain America, and people who don’t like racism don’t want to identify with a Captain America who is a nazi. No matter how much we talk about wanting the characters to reflect the times, or to explore new story arcs, there is a part of us that wants the thing we are worshipping to be predictable, to stay the same.

This is why we have religions, after all – to make an unpredictable world feel more predictable. And it’s why polytheism has been especially tenacious: sometimes you need different gods like you need different music. Even Jesus only acts like Superman some of the time. Put some moneylenders in a church, and suddenly dude is all Hulked out. Comic book movies give us all the comforts of polytheism without demanding we convert. Iron Man is the patron saint of startup culture. Deadpool is the patron saint of twelve-year-old boys. Superman is the patron saint of being an asshole. There’s an aspirational character for everyone, unless you’re gay or asian or a woman who doesn’t like Black Widow. And this isn’t anything new – this is exactly what Disney did with all its princesses a few decades ago. The movie pantheon will never die, and we don’t even need to sacrifice one goat. Twelve dollars a head is all the offering these gods demand.

So what I’m saying is, first of all, pay attention to the superheroes you love, and what you love about them. It probably says more about your aspirations than you’d like to admit. Our favorite superheroes as a culture also reflect our culture’s values, and changing those superheroes really does have the power to alter our culture, silly as it may seem. Third, don’t you fucking dare pretend to be a rational being. Ba’al, Belle, or Batman, we all worship gods of one kind or another.

The Bible Took Out All the Coolest Shit About Solomon

Okay so this is the time of the month
where I tell a myth from a mythos recommended by my patreon backers
and this month I’m supposed to tell a story about like
Solomon or David or Saul
from the book of Samuel or the book of kings
or really anything judeochristian
but I started thinking
why are we always talking about “judeochristian” shit
and leaving out muslim shit?
like, isn’t muslim shit part of the same tradition?
isn’t the Qur’an the third book in the Monotheism Trilogy?
seriously, why aren’t we talking about “judeochristimuslim” mythology?
is it because that’s a super awkward portmanteu
or is this some more white people shit?
it’s definitely NOT because the Qur’an is boring
do you realize
there are fucking GENIES in the Qur’an???
SPOILER ALERT:
THERE ARE FUCKING GENIES IN THE QUR’AN
AND talking animals
AND all your favorite characters from the first two books
like David and Solomon
ESPECIALLY Solomon.

Now I know there are a lot of Solomon fans out there
so I’m bracing myself for a torrent of hatemail when I say:
Old Testament Solomon is kind of a boring chump.
Like, he threatens to chop ONE baby in half
and granted that’s pretty cool
but Old Testament god is routinely murdering HUNDREDS of babies at a go
he turns an entire city of people to slag for being gays
the bar for weird violence is pretty high is what I’m saying.
Other than that baby thing, Solomon is pretty skippable
he builds a temple
he has an army
the queen of sheba seems to think he’s pretty cool
but we don’t even get to see them bone
SNORE

MEANWHILE, over in the Qur’an
Solomon is a fucking boss
he can control the wind
he can talk to animals
he’s got genies on the fucking payroll
because oh yeah did I mention
THERE ARE FUCKING GENIES IN THE QUR’AN YOU GUYS
and all of this is because
(as the Old Testament will confirm)
when Solomon became king
God came up to him and was like “yo
I was friends with your dad
So I will give you any superpower you want
what superpower you want”
and Solomon is like “How about SUPER-WISDOM
so that I can always be a JUST AND RIGHTEOUS KING”
and God is like “WHAT A DOPE ANSWER
SO SELFLESS
SUCH KIND
HERE, HAVE ALL THESE OTHER SUPERPOWERS AS A BONUS”

And Solomon is truly very wise
even before he gets god-wisdom
like one time, Solomon and his dad are hanging out
and these two dudes come up to them
and one of them is like “That dude’s goats ate my vineyard
make him fix it”
and the other dude is like “nuh uh”
and Solomon’s first instinct is to chop the goats in half
but he thinks about it for a second
and then he’s like “okay check it out
vineyard dude, you own the goats now
and goat dude, you own the vineyard now
this will continue until the vineyard is fixed
now would someone please hurry up and invent the microphone
because I need to drop it.”
and everyone is like OH SHIT SUCH JUSTICE

And he is a genuinely nice dude too
like you know how he can understand animals?
well one time he’s about to step on some ants
and the ants are like “OH FUCK IT’S KING SOLOMON’S FOOT
FUCKING BOOK IT”
and Solomon hears them and he’s like “Oh damn
better watch were I step”
and then he walks carefully for the REST OF HIS LIFE
JUST SO HE WON’T FUCK UP ANY ANTS

Oh yeah and then later he dies
but he dies standing up, in front of all his genies and shit
and he is so full of fucking gravitas
he just stays standing
and everybody thinks he is just taking a really long dramatic pause
until god sends a termite to eat his staff
and he falls down
and everyone learns a valuable lesson about stroke awareness.

So the moral of the story
is why don’t they sell embossed boxed sets
of the Torah/New Testament/Qur’an
I would buy the hell out of that

the end

Starfish is a Bad Friend

So I stumbled across this collection of Aboriginal tales last week
and while the introduction wins the H.P. Lovecraft Prize for Casual Racism
(Which is something I want to talk about in a later post)
I like these stories
so I am going to tell at least one more
it is about how friendship is bullshit.

Okay so way back in the day
before factory farming and sportfishing
all the animals are people
I mean like actual human people but just with animal names
i think this is taking the “animals can talk and do math” conceit TOO FAR
but whatever I’m not writing this story I’m just retelling it
if the original tellers of this story want to turn all of nature
into one mass of quivering human flesh
constantly resorting to cannibalism
for lack of any other protein source
i mean hey why not make all the plants human too
naked humans loping around on all fours
nibbling succulent bouquets of fingers sprouting from the earth
BUT ENOUGH BODY HORROR

These animals have heard of a place called Australia
no idea where they reside currently
but wherever it is, it sucks and Australia sounds better
so they all decide to go there
but they need a boat
and only one of them owns a boat that is big enough:
Whale.
Whale is a real dickhole though
he’s that kid from kindergarten
whose parents bought him one of those little electric jeeps
and he wouldn’t let you ride in it when you came over
even though he had access to it literally ALL THE TIME
and you didn’t because your parents were socialists
but he didn’t care and he would just ride it around in front of you
laughing like the pompous little shit he was
but then you went on to start a popular mythology website
so NOW WHO’S LAUGHING TOBY?????
I HOPE YOU DIED IN AN ELECTRICAL FIRE YOU PROTOTYPICAL FUCKBOY

anyway the whale won’t let anyone share his canoe
so all the other “animals” get together to figure out what to do
they’re like “shit, how are we gonna get Whale’s boat?
I mean let’s be realistic
we’re not going to build our own boat
not like we all have human bodies
with thumbs and highly developed brains
which would easily allow us to construct an even better boat
no
stealing is the only option
BUT HOW???”
and that’s when Starfish speaks up

Now Starfish is Whale’s best friend
which i think speaks to how few friends Whale has
because Starfish is like “yo guys
I am 100% willing to betray my best friend so you can steal his boat
Here is my plan:
I will distract him
and you will steal his boat.”
and the other “animals” are like “How are you gonna distract him”
and the starfish is like “You leave that to me”
*WINK*

So Starfish goes to Whale and he’s like “Yo man
your hair is full of vermin
let’ me get out the vermin for you
I don’t mind touching gross shit.
I’m friends with you, after all.”
and Whale
who has to take whatever friendship he can get
is like “Sure fine clean my hair.”
So starfish sits him down facing away from his boat
and he starts digging lice out of Whale’s hair
and telling him funny stories
and scratching around his ears
to keep him from hearing his boat being stolen
and every once in a while Whale will be like “wait, my boat
is my boat ok? do you see it?”
and Starfish just bangs a piece of wood he found against a rock
and is like “YUP THAT’S THE SOUND OF YOUR BOAT
SEEMS FINE.”
and Whale is like “yes of course
I trust you because you are my friend and you have no reason to lie”
but finally he gets a little suspicious
and he turns around
and sees EVERY OTHER ANIMAL stealing his boat
and he’s like “STARFISH YOU PIECE OF SHIT
I AM GOING TO RUIN YOUR WHOLE BODY”
and that’s what he does
he beats the everloving crap out of his treacherous friend
who only manages to poke a hole in the top of his head
before slithering away to hide in the sand
and that’s why
TO THIS DAY
starfish always look raggedy as hell
and also why they hide in the sand

so then whale
with a big hole in his head
jumps into the water and starts chasing the boat
blowing water out his head-hole
and the animals on the boat are freaking out
but Bear is like “Nah guys it’s cool
I’m comping all y’all’s tickets
TO THE GUN SHOW”
and then he uses his massive arms
to row the boat way faster than Human!Whale can swim
and they get to australia
and then they throw a dance party in the boat
totally wrecking it
and turning it into an island
and then Whale finally shows up
to see that they fucked up his boat for no reason
and he can’t even go on land
i guess because he’s too angry
and that’s why
to this day
whales are a metaphor for singleminded ambition cruelly punished
and bears will fuck you up.

So the moral of the story
is that if you value your possessions
you shouldn’t have friends

The end.

The Seven Sisters is a Myth About Consent???

Yeah I know
what the fuck right
coming out of the veritable rape circus of greek mythology
it’s hard to imagine any myths having like
a positive attitude about women saying no to sex
but here we are
in this Aboriginal story
about to learn what the fuck “no” means.

So there are these seven ice queens who live in space
ice queen here is not metaphorical
these ladies are literally made out of ice
which makes it weird how incredibly hot they all are
they are so hot that they are STARS
specifically the pleiades
and everybody wants to get with a star
so obviously these ladies are in demand
and since some people are assholes
bad shit is bound to happen

basically some cock-sergeant named Wurrunnah
through “a cunning device”
probably made of a bear trap and a fishing rod or something
manages to trap not one but two of the star ladies.
I don’t know why he needed two
I mean I guess I do know why
but still
seems greedy
anyway he gets them down to earth and then he realizes
MUCH TO HIS UNJUSTIFIED SURPRISE
that these ladies are made out of actual ice
and are thus totally unfuckable

so Wurrunnah does what any psychopath would do in this scenario
he builds a fire and tries to melt the ice off so he can have sex with them
but yo they are MADE OF ICE
so as they start to melt
their ice turns into water and puts out the fire
which means all Wurrunnah has managed to do
is make these ladies a little skinnier and lumpier
but he’s not giving up
because you gotta go full asshole, you know
so he sends them out to the forest to get pine bark for another fire
and the pine tree they go to is like YO
CLIMB ON MY TRUNK
I WILL TAKE YOU TO SPAAAACE
which is a thing I wish more trees would say to me
but anyway it works and they escape
still all fucked up from the fire
which is why two of the stars in the pleiades are dimmer than the others

ANYWAY
there are two other dudes in love with the ladies
and these dudes are miraculously NOT assholes.
They are called the Berai Berai
or “Two Brothers”
WOW
anyway these dudes are super respectful
they’re always leaving offerings to the star ladies when they go hunting
and i don’t know
writing them poetry or some shit
anyway the ladies aren’t interested
probably because they don’t eat meat and no one likes poetry
so the Berai Berai never get to consummate their love
they just keep making offerings until they die

BUT THAT’S NOT THE END
when the two brothers die the spirits take pity on them
so what do you think they do?
do they force two of the women to marry the two men?
maybe the two women who already got damaged by the fire
because like whatever???
NO
they put the two brothers up in the sky
at a respectful distance
where they can enjoy the star ladies’ beautiful singing FOREVER
in fact
those dudes are what we refer to in the west
as Orion’s belt and Orion’s bow.
You might think it would be torture
to listen to the objects of your affection sing forever
but they seem to actually really enjoy it
plus they get to be stars

all of this goes to show
as I have said before
that it is totally cool to love someone from afar
for as long as you want
just as long as you are totally cool being miserable about it forever.

The end.

Mary Had a Little Lamb Does Not Deserve to be Famous

right so literally this is what happens:

a girl named mary owns a lamb
let’s skip over why she’s allowed to have an animal
and straight to the fact that this lamb is obsessed with her
it follows her fucking everywhere
it’s weird

but yeah when mary goes to school one day
and the lamb follows her
nobody is surprised
which doesn’t mean nobody reacts
all the kids go apeshit over this lamb shit
kids will go apeshit over literally anything
i mean you have to imagine there are plenty lambs around
if a little girl is allowed to own one as a pet
but everyone is like HOLY SHIT
LAMB AT SCHOOL
SHUT IT DOWN
WHAT THE FUUUUUUUUCK
they’re all running around howling
hands pressed to the sides of their faces
trying to wrap their tiny child minds
around this insane new development

obviously the teacher isn’t thrilled
so she throws the lamb out of the building
like the responsible adult she is
but the lamb
being neither responsible or an adult
refuses to take the hint and instead just loiters outside
so all the kids refuse to shut up about it
and it’s all they want to talk about for the rest of the day
all like “why is that lamb so obsessed with Mary
what is UP with that”
and the teacher is like “ugh
probably because Mary is obsessed with the lamb
it is likely that the lamb was weaned from its mother too early
and now displays an unhealthy attachment complex to Mary”
and all the kids are like “WHOAAAAAAA WOWWWWWW”

One of the kids is a dude named John Roulstone
and he is SO IMPRESSED BY THIS MUNDANE INCIDENT
that he summarizes all of the above in verse form
and gives it to Mary as a gift
and somehow it ends up in the hands of a poet named Sarah Hale
who either fixes it or writes a whole new part of it
depending on who you ask
and then that shit
for SOME REASON
becomes FUCKING FAMOUS
some dude sets it to music
two renowned blues men record versions of it
fucking paul fucking mccartney covers it
and today
every god damn school child knows
about mary’s lamb and its fucking attachment disorder
all of which leads me to the moral of this story:

kids are fucking idiots

look, i mean
i like kids
they’re the future and they know how to party
but would you ever ask a kid to design your house?
no?
what about drive your car?
no?
what if you needed a lung transplant? Would you ask a fucking kid?
not unless you wanted a bunch of plastic bugs in your chest cavity
and yet we let our kids write poems all the fucking time
and that would be fine if we told them their poems were shitty
but we don’t
we fucking celebrate their garbage
we tell them it’s perfect
Paul McCartney records a fucking cover of it
it’s why there’s so many garbage books on Amazon
and so many garbage painters pouring out of art school
because art is apparently so fucking simple
even a child can do it
in fact ESPECIALLY a child

look
just because poetry isn’t load-bearing
doesn’t mean kids should be allowed to write it for mass consumption
and i mean if they do want to write poetry, fine
that’s great
but no fucking way am I letting babies decide what gets popular
listen carefully, friends:
our kids
are not
cooler than us
shitting your pants is not cool
not knowing about sex is not cool
being legally unable to rent a car is not cool
so why the fuck do we pay attention to the shit kids like

i guess what i’m trying to say
is the next time a kid tells you they like something
tell them they’re wrong.

the end.